You wake up in a shabby hotel room with no idea how you got there. You can’t recall your name. You discover there seem to be other young women in other rooms in the same predicament, though one of them seems to know your name: Anne. After an unpleasant encounter with a rather large cockroach, you have a screaming fit. That’s when the nurses arrive to sedate you. And by the way, when night falls, you’ll need to escape from a killer demon with the bloodied head of a deer. Faces of Anne relies heavily on elements of the slasher film – and in many ways, that’s exactly what it is. But the film is also a puzzle, whose central question – Why is Anne here? – allows us to explore theories as to its solution until the very last moment. Are we inside a video game? An escape room? The mind of someone with multiple personalities? The elaborate and nihilistic fantasy of a deranged serial killer? It’s nothing new to remark that the best horror films are often those that reflect the fears of society; this film builds a clever – and viscerally terrifying – analogy of some of the difficulties faced by today’s young people.
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暫無簡(jiǎn)介
泰國(guó)郊外的古廟有個(gè)可怕的詛咒。年輕盜墓者歐弟，在古廟挖出一條二戰(zhàn)時(shí)期的黃金腳煉，占為己有的他因此觸犯詛咒，身體肌膚變成蛇鱗，強(qiáng)大的詛咒讓他十分痛苦，也再次召喚出古墓厲鬼。在與尋求復(fù)仇的惡鬼時(shí)間賽跑中，因詛咒纏身快死的阿弟，與狐群狗黨噗嚨共好友們，布倫、阿一、玄兵，以及潘潘，將遠(yuǎn)赴泰國(guó)東北湄公河一座傳說中的雨林古寺，尋找破解詛咒的秘密。
大學(xué)里的恐怖傳說在歷屆學(xué)生間不斷流傳，傳遍所有班級(jí)、系所和校園，關(guān)于鬼魂、附身、復(fù)仇的故事。代代相傳的恐怖校園鬼故事，有徹底失控的迎新恐怖之夜、醫(yī)學(xué)院宿舍的“C號(hào)床”傳說，還有“舊科學(xué)大樓”那令人毛骨悚然的謠言……
小儒 (查雅妮 飾)在藝術(shù)家父親過世后繼承了兩幅毀損的女子畫像，她找來藝術(shù)品修復(fù)師提姆(尼坤 飾)修復(fù)這兩幅作品，以便轉(zhuǎn)售賺取醫(yī)治女兒眼疾的費(fèi)用。修復(fù)過程中，陸續(xù)發(fā)生一樁樁無法解釋的恐懼事件，宛如解開了封印在畫作中的駭人秘密…小儒開始惡夢(mèng)連連產(chǎn)生幻覺、女兒出現(xiàn)一些令人不寒而栗的異常行為、威脅生命的意外更不斷發(fā)生…究竟畫中隱藏著甚么恐怖秘密？畫中女子到底是誰(shuí)？她有甚么樣的冤情與怨？視而不見真的能全身而退？